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		<title>What Richard Dreyfuss Doesn’t Seem To Understand</title>
		<link>https://brego.com/richard-dreyfuss-gets-his-arse-dragged-and-deservedly-so/</link>
		
		<dc:creator><![CDATA[Brego]]></dc:creator>
		<pubDate>Tue, 09 May 2023 08:07:56 +0000</pubDate>
				<category><![CDATA[Acting]]></category>
		<category><![CDATA[Black Cinema]]></category>
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		<guid isPermaLink="false">https://brego.com/?p=4024</guid>

					<description><![CDATA[<p>Richard Dreyfuss is sickened by Academy rules to make for a more inclusive film industry. He wants to vomit and that's a good thing.</p>
<p>The post <a rel="nofollow" href="https://brego.com/richard-dreyfuss-gets-his-arse-dragged-and-deservedly-so/">What Richard Dreyfuss Doesn’t Seem To Understand</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
]]></description>
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				<div class="et_pb_text_inner"><h1>What Richard Dreyfuss Doesn&#8217;t Seem to Understand</h1></div>
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				<div class="et_pb_text_inner"><p><img fetchpriority="high" decoding="async" src="https://brego.com/wp-content/uploads/2023/05/pltn-style-old-actor-richard-dreyfuss-as-a-baby-diaper-holding-a-big-lollipop-he-is-wearing-a-poop--300x300.png" width="300" height="300" alt="" class="wp-image-4029 alignleft size-medium" srcset="https://brego.com/wp-content/uploads/2023/05/pltn-style-old-actor-richard-dreyfuss-as-a-baby-diaper-holding-a-big-lollipop-he-is-wearing-a-poop--300x300.png 300w, https://brego.com/wp-content/uploads/2023/05/pltn-style-old-actor-richard-dreyfuss-as-a-baby-diaper-holding-a-big-lollipop-he-is-wearing-a-poop--150x150.png 150w, https://brego.com/wp-content/uploads/2023/05/pltn-style-old-actor-richard-dreyfuss-as-a-baby-diaper-holding-a-big-lollipop-he-is-wearing-a-poop--440x440.png 440w, https://brego.com/wp-content/uploads/2023/05/pltn-style-old-actor-richard-dreyfuss-as-a-baby-diaper-holding-a-big-lollipop-he-is-wearing-a-poop-.png 512w" sizes="(max-width: 300px) 100vw, 300px" />It&#8217;s no secret that Hollywood has a long history of systematically excluding Black, Latino, Asian, and female voices from the big screen. From the earliest days of the industry, minority groups were marginalized and underrepresented on both sides of the camera, from actors to writers and directors. From the lack of opportunities for people of color to the white-washing of characters of color, Hollywood has a long and sordid history of failing to include diverse voices in its storytelling. At the same time, Hollywood has seen a dramatic shift in recent years, thanks in no small part to the #OscarsSoWhite movement. The Academy of Motion Picture Arts and Sciences has taken steps to increase inclusion and representation among Oscar nominees, and earlier this year, they announced new rules that require films to meet certain criteria in terms of representation in order to be eligible for the Best Picture award. It&#8217;s no wonder then that Richard Dreyfuss, who won an Oscar in 1978, took issue with the new rules in a recent television interview, <a href="https://www.cnn.com/2023/05/08/entertainment/richard-dreyfuss-diversity/index.html" target="_blank" rel="noopener">calling them “patronizing” and going so far as to say they made him &#8220;Wanna vomit&#8221;.</a>  How enlightening. But his comments ignore the fact that representation and inclusion in Hollywood are still far from where they should be, and that these measures are an important and necessary step towards achieving true equality in the industry.</p>
<p>&nbsp;</p>
<h2>Hollywood&#8217;s Long Affair with Racism and Sexism and that Doesn&#8217;t Make Richard Dreyfuss Wanna Vomit?</h2>
<p>Take for example the fact that this year&#8217;s Oscars saw a historic win for Michelle Yeoh for Best Actress for &#8220;Everything Everywhere All at Once,&#8221; but no Black actors were nominated for any of the acting categories. This is unacceptable and is a clear indication that more needs to be done to ensure that marginalized voices are included in Hollywood. The fact is that the film industry has long been dominated by white men, and progress towards true diversity and inclusion has been slow and painstakingly incremental. The Oscars&#8217; new rules are a step in the right direction, and it&#8217;s unfortunate that Dreyfuss chooses to ignore the systemic exclusion of diverse voices in Hollywood. It&#8217;s time to recognize that something is inherently wrong with the lack of representation in the industry, and that the only way to truly address this issue is to take concrete steps towards inclusion. This includes supporting filmmakers and actors from diverse backgrounds, and providing them with the resources and opportunities they need to tell their stories. It&#8217;s time for Hollywood to embrace diversity and inclusion, and for Richard Dreyfuss and other critics of the Academy&#8217;s new rules to recognize that these measures are necessary in order to effect real change. We must all take responsibility for ensuring that all voices are heard and that everyone is included in our stories.</p>
<p>&#8211; Brego</p></div>
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				<div class="et_pb_text_inner"><p><strong>This is such a teachable moment. Let&#8217;s see what The Professor has to say about Richard Dreyfuss and his meltdown.</strong></p></div>
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				<div class="et_pb_video_box"><iframe title="MoT #371 Richard Dreyfuss Claims Phony Racial Oppression" width="1080" height="608" src="https://www.youtube.com/embed/MhBEQcGV4k4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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				<div class="et_pb_text_inner"><p><strong>In case Richard&#8217;s argumentment has any life left in it, let&#8217;s get Rolin Martin to end it.</strong></p></div>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="Roland CLAPS BACK At RIchard Dreyfuss Over Oscars Diversity Rules Remarks: &quot;We Really Don&#039;t Care&quot;" width="1080" height="608" src="https://www.youtube.com/embed/uWJyTgisNcM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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<h3 class="rank-math-tooltip" data-key="Are Julia Louis Dreyfus and Richard Dreyfuss related?" role="presentation">Are Julia Louis Dreyfus and Richard Dreyfuss related?</h3>
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<h3 class="rank-math-tooltip" data-key="What has happened to Richard Dreyfuss?" role="presentation">What has happened to Richard Dreyfuss?</h3>
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<h3 class="rank-math-tooltip" data-key="Why does Richard Dreyfuss keep Oscar in refrigerator?" role="presentation">Why does Richard Dreyfuss keep Oscar in refrigerator?</h3>
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<h3 class="rank-math-tooltip" data-key="What did Richard Dreyfuss say?" role="presentation">What did Richard Dreyfuss say?</h3>
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<p>The post <a rel="nofollow" href="https://brego.com/richard-dreyfuss-gets-his-arse-dragged-and-deservedly-so/">What Richard Dreyfuss Doesn’t Seem To Understand</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
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		<title>The Unexpected Love of a King and an Actress (research)</title>
		<link>https://brego.com/king-edward-hattie-mcdaniel-fictional-love-affair/</link>
		
		<dc:creator><![CDATA[brego]]></dc:creator>
		<pubDate>Fri, 16 Dec 2022 12:46:00 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Black Cinema]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Letters]]></category>
		<category><![CDATA[Race in History]]></category>
		<category><![CDATA[Romantic Comedy (RomCom)]]></category>
		<category><![CDATA[Short Stories]]></category>
		<guid isPermaLink="false">https://brego.com/?p=1876</guid>

					<description><![CDATA[<p>What if King Edward and Hattie McDaniel 82 years ago and challenged the systems and institutions that Prince Harry and Meghan Markle now challenge.</p>
<p>The post <a rel="nofollow" href="https://brego.com/king-edward-hattie-mcdaniel-fictional-love-affair/">The Unexpected Love of a King and an Actress (research)</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
]]></description>
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<p>Yes, I&#8217;m actually researching this fictional piece I&#8217;m writing. Turns out, King Edward was born in 1894 and Hattie McDaniel was born in 1893. So they could have had a love affair. I want the piece to be funny, but most of all respectful to Hattie McDaniel, as much as a fictional comedic piece can be anyway. She&#8217;ll be liberated, but I think King Edward&#8217;s character, we can play with. I think by showing how Prince Harry&#8217;s great-grandfather gave up the throne for an American actress, much in the same way Prince Harry gave up his title for an American Actress 84 years later, we can draw parallels and play with the them of the recurrence of history. Even Diana&#8217;s and Dodi&#8217;s romance echoes this. How history keeps repeating until we think different thoughts and choose different actions. How love breaks down artifice. It could very well morph into a romantic comedy. Ms. McDaniels was a comedian, so I hope she would appreciate the story.</p>



<p>I think I want the British to accept Ms. Daniels and extend to her the role of Queen Consort. Researching if that would have been logistically possible in 1941 at the height of Hattie&#8217;s fame, when she would have caught the King&#8217;s eye. (it is an alternate reality) I want to do this to expose the hypocrisy of the British media. #EdwardandHattie #HarryandMeghan. I&#8217;ll run up to the line, but I won&#8217;t jump over it. Maybe.</p>



<p>The challenge for me is to get Hattie&#8217;s tone right, as I only know of her from her performances which&#8230;obviously was not her voice. So I&#8217;ll have to listen to her interviews and read what she wrote, it could easily turn bad if I don&#8217;t make that effort. Then there are the questions that arise from this experiment.</p>



<p><strong>Questions:</strong></p>



<ul class="wp-block-list">
<li>What would be the implications of a King loving and marrying a woman of color in 1941?</li>



<li>How can I create a story that is both respectful and humorous to the legacy of Hattie McDaniel?</li>



<li>How would this story highlight the similarities between Prince Harry and King Edward&#8217;s stories?</li>



<li>How can we use this story to draw attention to the hypocrisy of the British media?</li>
</ul>



<p><strong>Lessons:</strong></p>



<ul class="wp-block-list">
<li>Love is greater than any prejudice or artifice.</li>



<li>History has a tendency to repeat itself.</li>



<li>We can learn from the past and use it to create a better future.</li>



<li>We should always strive to be respectful and mindful when telling stories about marginalized people.</li>
</ul>



<p>The light this story could shed on Harry and Meghan is that their love follows an age-old pattern of royalty choosing unconventional partners, and how their story is a testament to the power of love in the face of prejudice and scrutiny. It could also demonstrate how the decision to choose love can be a revolutionary act that can spark change.</p>



<p>You have waited long enough loyal fans. <a href="https://brego.com/the-king-and-hattie-a-love-story/">Here&#8217;s our first draft. Enjoy!</a></p>



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<iframe loading="lazy" title="Beyond Tara: The Extraordinary Life of Hattie McDaniel (2001)" width="1080" height="608" src="https://www.youtube.com/embed/xtUO0n08k4A?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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<p>The post <a rel="nofollow" href="https://brego.com/king-edward-hattie-mcdaniel-fictional-love-affair/">The Unexpected Love of a King and an Actress (research)</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
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		<title>The Benefits of Learning to Think for Yourself</title>
		<link>https://brego.com/the-benefits-of-thinking-for-yourself/</link>
		
		<dc:creator><![CDATA[Brego]]></dc:creator>
		<pubDate>Mon, 28 Nov 2022 18:26:37 +0000</pubDate>
				<category><![CDATA[Beliefs & Spirituality]]></category>
		<category><![CDATA[CEO Editorials]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Meditations]]></category>
		<category><![CDATA[Mental Health]]></category>
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		<guid isPermaLink="false">https://brego.com/?p=1603</guid>

					<description><![CDATA[<p>The post <a rel="nofollow" href="https://brego.com/the-benefits-of-thinking-for-yourself/">The Benefits of Learning to Think for Yourself</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
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				<div class="et_pb_text_inner"><p>We live in a time where it’s all too easy to follow the crowd. Everyone’s got an opinion, and sometimes it feels like if you’re not taking sides, you’re being left behind. The media, political figures, even billionaires—they all seem to be pointing fingers, telling us who the “enemy” is. But what if I told you that blindly picking enemies without truly thinking for yourself could be setting you up for a collision course with reality?</p>
<p>My sister Dot once said, “If you wanna get ass, you gotta bring ass.” Translation: If you&#8217;re gonna start a fight, you&#8217;d better be ready to face the consequences and take the hit if things don’t go your way. Simple but profound. We’ve all seen people—whether online or in real life—pick fights they aren’t prepared to finish. And they often fail to realize that the world doesn’t work the way they think it does. Too often, people fall into the trap of labeling others as enemies, merely because someone else told them to. In a political climate rife with division and animosity, it&#8217;s easy to believe the hype and align yourself with the loudest voices. But here&#8217;s the thing: this mindset can turn dangerous. People sometimes think they have a personal security detail, like the political leaders or billionaires they idolize, and that there will be no real consequences for their threats or actions.</p>
<p>It’s as if they assume that by picking a side, they can avoid the fallout. But that’s not how the world works. Think about it—there&#8217;s an old horror movie trope that comes to mind. You’ve probably seen it: the girl, running away from the bad guy, locks herself in a car thinking she’s safe. But, plot twist, the real danger is already sitting in the back seat. It’s a classic, right?</p>
<p>But you know what? It’s also a metaphor for how we often set ourselves up for trouble by acting out of fear, suspicion, or herd mentality, without doing the work to think for ourselves. My point here is simple: people screw themselves out of good things all the time because they let others dictate who the “villains” are in their lives. Rumors, political rhetoric, and viral headlines make us believe certain groups or individuals are the enemy, when in reality, those labels may be completely misplaced.</p>
<p>When you let others shape your narrative, you lose the ability to make informed decisions for yourself. This takes me back to an old movie scene I can’t quite place, but it’s stuck with me. A detective tells a wealthy widow, “You know that family… they’re a bunch of swindlers with criminal records.” The widow, cool and collected, replies, “I take people as I find them, not as others find them.” In a world where everything is polarized, this wisdom is more relevant than ever.</p>
<p>Instead of letting others tell you who to fear, judge people based on your own experience and intuition. The moment you stop thinking for yourself, you lose control over your own destiny. It&#8217;s time to start asking questions. Are the people you&#8217;re labeling as enemies really your enemies, or are you just following a script that was handed to you? Are you responding to the world around you or simply reacting because it feels easier?</p>
<p>It’s easy to follow the loudest voice in the room, but remember, that voice isn’t always speaking for you. Learning to think for yourself—questioning what you hear, exploring different perspectives, and making decisions based on your own judgment—can be one of the most powerful tools you possess. It’s not just about avoiding fights; it’s about knowing when to walk away from drama, knowing who to trust, and, most importantly, avoiding unnecessary conflicts. In today’s politically charged climate, it’s tempting to pick sides and start labeling people as “the enemy.”</p>
<p>But before you do, remember: if you’re going to fight, you better be prepared to face the consequences. And if you&#8217;re not careful, you might just find yourself in a collision course with reality, with no way out. So, let’s stop letting others tell us who to fear. Let’s start thinking for ourselves and creating our own narratives—ones that don’t involve unnecessary conflict or a misguided sense of security. The real power is in thinking critically and acting with purpose, not reacting mindlessly to the division that surrounds us.</p>
<p><a href="https://amzn.to/4fBpspd" target="_blank" rel="noopener"><img loading="lazy" decoding="async" class="aligncenter wp-image-9728" src="https://brego.com/wp-content/uploads/2022/11/1-150x150.jpg" alt="" width="154" height="154" /></a></p>
<p>Found the film <a href="https://amzn.to/4fBpspd" target="_blank" rel="noopener">The Young in Heart (1938)</a></p>
<p></p>
<p> </p>
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			</div><p>The post <a rel="nofollow" href="https://brego.com/the-benefits-of-thinking-for-yourself/">The Benefits of Learning to Think for Yourself</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
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		<title>Biracial People Today Enjoy the Freedoms Paid for by Those of Yesterday</title>
		<link>https://brego.com/biracial-people-today-enjoy-the-freedoms-paid-for-by-those-of-yesterday/</link>
		
		<dc:creator><![CDATA[brego]]></dc:creator>
		<pubDate>Thu, 02 Jun 2022 04:29:12 +0000</pubDate>
				<category><![CDATA[Biracial Perspective]]></category>
		<category><![CDATA[Black Cinema]]></category>
		<category><![CDATA[CEO Editorials]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Race & Culture]]></category>
		<category><![CDATA[Biracial]]></category>
		<category><![CDATA[Black Film]]></category>
		<category><![CDATA[Black History]]></category>
		<guid isPermaLink="false">https://brego.com/?p=218</guid>

					<description><![CDATA[<p>The post <a rel="nofollow" href="https://brego.com/biracial-people-today-enjoy-the-freedoms-paid-for-by-those-of-yesterday/">Biracial People Today Enjoy the Freedoms Paid for by Those of Yesterday</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
]]></description>
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<p><strong>Comparing Doja Cat to Dorothy Dandridge? Let&#8217;s Think Again</strong></p>
<p>Recently, someone online quipped, &#8220;People are comparing Doja Cat to Dorothy Dandridge.&#8221; My immediate reaction? When Doja Cat dreams, she dreams of being Dorothy Dandridge. Don&#8217;t get me wrong—this isn&#8217;t about dragging anyone. It&#8217;s about perspective.</p>
<p>The internet is brimming with comparisons, and this one isn’t exclusive to a single TikToker. Many are drawing parallels between the two. But here’s the thing: while imitation might be the sincerest form of flattery, a superficial comparison between these two artists falls apart under closer scrutiny.</p>
<h3>Why the Comparison Doesn&#8217;t Hold</h3>
<p>Dorothy Dandridge and Doja Cat are two entirely different figures, born of different eras, shaped by vastly different challenges and cultural landscapes. To truly honor these artists, we shouldn’t flatten their uniqueness into lazy comparisons. Instead, we should celebrate the qualities that make each of them extraordinary in their own right.</p>
<p>Dorothy Dandridge was a trailblazer—a woman who carried the weight of an entire generation’s struggle for representation in an unforgiving industry. As a Black woman in Hollywood during the mid-20th century, she endured unimaginable pressures and paid dearly for her success.</p>
<p>Doja Cat, on the other hand, exists in a world where certain barriers have already been broken, though challenges remain. She’s undeniably talented and influential in her own right. But comparing her to Dandridge overlooks the depth of sacrifice and cultural impact that defined Dorothy’s legacy.</p>
<h3>Dorothy Dandridge: A Legacy of Pride and Sacrifice</h3>
<p>In her autobiography, <em>Everything and Nothing</em>, Dorothy Dandridge wrote about taking immense pride in her Blackness, despite being biracial in an era when society offered little room for nuance. During her time, you were categorized as Black, Colored, or Negro—period. And Dorothy embraced her identity wholeheartedly.</p>
<p>She never sent mixed signals about where she stood, even as she rose to stardom in a world that penalized her for her race at every turn. Dorothy felt a profound connection to Black and Indigenous communities, recognizing their shared histories of suffering and resilience.</p>
<p>Her commitment to her roots wasn’t without cost. Dorothy faced immense personal and professional challenges, often sacrificing her own well-being for the sake of her art and representation. The pressures of her time eventually took a toll on her life—a level of sacrifice most modern stars will never know.</p>
<h3>Doja Cat: A Different Artist for a Different Era</h3>
<p>This isn’t shade toward Doja Cat, who has carved out her own lane in today’s music industry. Her creativity, boldness, and ability to resonate with her audience are undeniable. But Doja doesn’t embody the kind of defiance and barrier-breaking ethos that defined Dorothy Dandridge’s life and career.</p>
<p>In some ways, Doja represents the modern artist who thrives in a world shaped by the struggles of those who came before her. She doesn’t rock the boat or make waves in the way Dorothy did. And while there’s nothing wrong with that, it makes the comparison feel even more misplaced.</p>
<h3>Honoring Both Women</h3>
<p>To compare Dorothy Dandridge to Doja Cat is to miss the point of both their journeys. Dorothy’s story is one of immense courage, sacrifice, and staying true to her identity in the face of relentless adversity. Doja’s path, while unique and impactful, is that of an artist navigating a different cultural and societal landscape.</p>
<p>Instead of comparing, let’s honor their differences. Dorothy Dandridge broke barriers so that artists like Doja Cat could exist in a world with fewer limitations. Doja’s artistry stands on the shoulders of icons like Dorothy, and that’s something to celebrate—not conflate.</p>
<p>So, next time you’re tempted to draw a parallel between two vastly different artists, pause. Instead, take a moment to appreciate what makes each of them remarkable—and unique.</p>
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<p>The post <a rel="nofollow" href="https://brego.com/biracial-people-today-enjoy-the-freedoms-paid-for-by-those-of-yesterday/">Biracial People Today Enjoy the Freedoms Paid for by Those of Yesterday</a> appeared first on <a rel="nofollow" href="https://brego.com">Brego Arts &amp; New Media: Brego.com</a>.</p>
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